Modest house in Brooklyn, New York. Throughout the play, the audience is visually aware of a gap between past and present: All those who hold onto their past, Miller implies—and all the Lomans are guilty of doing this—will have trouble adapting to the present.
Willy returns home exhausted from his latest sales excursion. He worries because he is having difficulty remembering events, as well as staying focused on the present. His wife, Linda, reassures him that he is only suffering from mental fatigue.
Linda suggests that Willy should request a New York assignment rather than travel each week. At first Willy hesitates, complaining that his boss Howard does not respect his contributions to the company and might not listen to him, but Linda encourages Willy to tell Howard of his accomplishments.
Willy decides to talk to Howard in the morning. Willy and Linda argue about their son Biff. Willy calls Biff a "lazy bum," but Linda defends Biff on the premise that he is still trying to "find himself.
Willy drifts back into the past, remembering how everyone admired Biff when he was in high school. He comes out of his reverie and assures Linda that he is fine.
He announces that he will no longer argue with Biff about his job. Linda suggests a picnic lunch, and Willy realizes that, all day, he thought he was driving the Chevy rather than the Studebaker.
When Willy returns home early from a sales trip, Linda casually asks if he wrecked the car. Linda's question and Willy's annoyed response suggest that this conversation has happened before. He does not make excuses for himself but openly admits that he could not concentrate on his driving.
In fact, several times, he forgot that he was driving. Willy realizes something is wrong with him, and he is exhausted both physically and mentally. Scene 1 establishes the nature of the relationship between Willy and Linda. Although Willy states exactly what happened, Linda provides him with opportunities to deny that anything is wrong with him.
In this way, she attempts to protect him from seeing his own shortcomings. She suggests the faulty steering on the Studebaker, as well as Willy's glasses, as possible reasons why he cannot drive properly. Linda continues to support Willy, offering him excuses for his own behavior, as well as Biff's inability to maintain a steady job.
In general, Willy takes Linda for granted and does not appreciate her, except in rare moments of clarity, such as at the end of Scene 1 when he asks if she is worried about him. During the majority of the play, Willy freely criticizes Linda and her opinion, unless they are alone together.
As the scene progresses, Willy struggles to reconcile memories from the past with the events of the present. According to Willy, the glory of past events should be precursors to the reality of the present.
In other words, because he recollects such wonderful memories of order and success, these qualities should still exist for him in the present. For example, Willy believes he should be recognized and respected at work because he established the company throughout New England and named his own boss.
He is not respected, however, because he has lost the ability to sell merchandise effectively. Things that Willy considers meaningful, such as past sales records and prior friendships, mean nothing in his current world, which is governed by the bottom line. These contradictions are not inconsistencies in Willy's outlook, but rather a consistent part of his character.
He customizes information, facts, and memories to fit his ideal perception of the world. When someone disagrees with Willy, he is insulted and becomes angry. He is tired of "always being contradicted. Willy criticizes Biff because he feels his son is wasting his life working on a farm in Texas, but Linda defends Biff because he is still "finding himself.
At the beginning of the conversation, he labeled Biff "a lazy bum," but later in the same conversation, Willy contradicts himself and describes Biff as a "hard worker. He projects his past memories of Biff onto the present, convincing himself that his son will have the same effect on people now — as a salesman or a hired hand on a farm — that he did as a football player in high school.
In other words, his son's situation is too difficult to acknowledge, so Willy creates an alternative reality that is much more palatable, denying the facts of the situation.
In this way, Willy creates order from disorder because he manipulates facts to produce a better alternative. Glossary tired to the death an expression meaning exhausted.
Here, the phrase can also be interpreted literally because Willy has attempted suicide several times and is planning to try again.Act I, Part 1: Summary and Analysis Act I, Part 2: Summary and Analysis Death of a Salesman is a modern tragedy depicting the last days in the life of Willy Loman.
When the action occurs in. Death of a Salesman Questions and Answers. The Question and Answer section for Death of a Salesman is a great resource to ask questions, find answers, and discuss the novel. Mar 07, · Death of a Salesman's Willy Loman, was really a low man.
He led a very sad life, accoplished little, but had big dreams. Here is an analysis of the man behind the leslutinsduphoenix.coms: Analysis. In Act I, Scene 1, Miller introduces the three major themes of Death of a Salesman: denial, contradiction, and order versus disorder.
When Willy returns home early from a sales trip, Linda casually asks if he wrecked the car. In 'Death of a Salesman,' Willy Loman just can't catch a break. And if the title is an indicator, things won't end well. Act I. We start with Willy, who is in his 60s. Miller's Death of a. Death of a Salesman study guide contains a biography of Arthur Miller, literature essays, quiz questions, major themes, characters, and a full summary and analysis.